LAL-BAZI For Soprano, Bass Clarinet and Percussion (Tombak (a Persian instrument))
– 2022, New York (the US), Sputter Box ensemble
Rang-ha for clarinet in Bb and live electronic, 2022, 6’
– 2022, Texas Tech University (the US) , Vicente Pedroza, clarinet in Bb
Korsoo for Alto Saxophone, Tenor Saxophone and Fixed media
– 2022,the University of Oklahoma (the US), Parker Fritz, alto saxophone, Justin Evangelist, tenor saxophone
The denseness of loneliness
– 2022, the US, Texas Tech University (the US), Mysterium Ensemble
Still life (videoart)
– 2022, NoiseFloor, Staffordshire University (the UK)
Memory for Piano and Fixed Media (4 channels)
– 2021, Toronto (Canada), Anoush Moazzeni
“Who am I?” for Clarinet in Bb and Fixed Media
– 2020, New York (the US), Kathryn Vetter
Daramad for Tar (a Persian instrument) and Fixed Media
– 2020, Tehran (Iran), Golnaz Khalili
– 2020, the fourth annual ROCC (Research on Contemporary Composition Conference) at the University of North Georgia (the US), Golnaz Khalili
Daramad for Soprano Saxophone, Tenor Saxophone and Fixed Media
– 2020, the University of Oklahoma (the US), Zen Duo
Daramad for three Sopranos and Fixed Media,
– 2020, Tehran (Iran), Shaghayegh Bagheri, Behnoosh Sabet Ghadam, Negin Goodarzi
– 2021, 4th Tehran Electronic Festival (Iran)
– 2021, the New York City Electroacoustic Music Festival (the US)
– 2021, NoiseFloor at Staffordshire University (the UK)
– 2021, Audiovisual Frontiers festival at University of California, Riverside (the US)
– 2021, Sonic Matter festival in Zurich (Switzerland)
– 2021, Lift-off session Online film Festival (the UK)
On the threshold for Soprano, Santur (a Persian instrument), Tar (a Persian instrument), Piano and Fixed Media
– 2020, Tehran (Iran), the Other ensemble (Postponed for Coronavirus pandemic)
Khane Haftom for Santur and Fixed Media
– 2020, New York City Electroacoustic Music Festival (the US), Puneh Zare’i Sefid Dashti
– 2019, 3rd Tehran Electronic Festival (Iran), Soheil Tabatabaee
– 2018, WRCMS (Canada), Puneh Zare’i Sefid Dashti
Daramad for Piano, Violin, Bassoon and Percussion
– 2019, the University of Michigan (the US), Front Porch ensemble
Too loud a solitude for Cello and live electronic (Max/MSP)
– 2018, 2nd Tehran Electronic Festival (Iran), Ulrike Brand (Germany) and Ali Balighi (Iran)
– 2019, Sprengel Museum (Hanover – Germany), Ulrike Brand (Germany) and Ali Balighi (Iran)
– 2019, Vilnius (Lithuania), Twenty Fingers Duo
Chahar-rah for 6 laptops
– 2019, International Computer Music Conference and New York City Electroacoustic Music Festival (the US), SynthBeats
– 2018, Stony Brook University (the US), SynthBeats
A little Piece for Violin and live electronic
– 2018, Tehran (Iran), Neda Asadi Nejad
Walking in the darkness for Santoor
– 2018, Sibelius Academy (Finland), Puneh Zare’i Sefid Dashti
– 2017, 2nd Tehran Contemporary Music Festival (Iran), Puneh Zare’i Sefid Dashti
Daramad for Clarinet in Bb, Baritone Saxophone & Harp
– 2018, the University of Michigan (the US), The _ Experiment
5 Poems for Piano
– 2018, Krakow (Poland), Ludger Hofmann-Engl
The birth of tragedy for Santur (a Persian instrument) and Fixed Media
– 2019, Tehran (Iran), Puneh Zare’i Sefid Dashti
– 2018, 3nd Tehran Contemporary Music Festival (Iran), Ladan Sheikhi
– 2018, Ghent (Belgium), Puneh Zare’i Sefid Dashti
Daramad for Accordion
– 2017, Toronto (Canada), Michael Bridge